• Sexy Topless Teens : Indian Railway Complaints 2017
• Sexy Topless Teens : Indian Railway Complaints 2016

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(3) Surprisingly, sharp protest arose over director Otto Preminger's sumptuous Technicolor epic Forever Amber (1947), a 17th century costume romance adapted from Kathleen Winsor's banned book, featuring the gorgeous Linda Darnell (in her first lead role) as beautiful blonde village maid Amber St. She chamber-hops her way to status and wealth to become the royal mistress of King Charles II (George Sanders) of England. Protest forced its bowdlerization, a tacked-on prologue, and the taming of many of its potentially-erotic scenes by the addition of morally compensating values.

In spite of the code, other memorable portrayals of wicked women included Lana Turner as a loose young, working-class beauty in Cass Timberlane (1947), with a twenty-year age gap and major socio-economic differences from staid, lonely judge husband Spencer Tracy; she finds herself attracted to a handsome colleague after marriage. Or Peggy Cummins' self-confessed 'no-good,' gun-toting, sharpshooting lover in who substitutes robberies for sexual foreplay. The lurid, melodramatic costume drama The Wicked Lady (1945) was the first British film to be modified by the Hays Office, especially because of vixenish Margaret Lockwood's dipping neckline with revealed cleavage of her ample bust. The longest on-screen kiss in film history (in a commercial feature film) got away with a 3 minute and 5 second smooch between Regis Toomey and Jane Wyman in the service comedy You're In The Army Now (1941). Preston Sturges' irreverent, frantic and reckless The Miracle of Morgan's Creek (1944) made fun of a drunken blonde victory girl (Betty Hutton) with loose morals who became pregnant after a wild party with WWII servicemen without really knowing who the father was. Erotic Film Noirs: thrillers of the 40s have always been famous for sexy, seductive femme fatales who enticed their men, such as Jane Greer's deceptive siren stepping out of the bright sunshine into a Mexican cafe to entice Robert Mitchum in Jacques Tourneur's, and Lana Turner's sultry young cafe wife - wearing sizzling white-hot outfits - in Tay Garnett's adaptation of James M. Cain's (remade by director Bob Rafelson with a lusty kitchen table sex scene between Jack Nicholson and Jessica Lange in 1981).

However, Turner's complicity in adultery and murder of her husband with drifter John Garfield was slightly modified in the film's adaptation to satisfy complaints from its critics. Sexy Films of the 50s: Increasingly, films contained blatant sexual elements into the 50s, due in part to the influx of more contemporary, adult-oriented foreign films, and competition from television.

After conflict with the Legion of Decency, the smoldering adult themes of the collaborative work of Elia Kazan and Tennessee Williams in forced a redefinition of censorship guidelines, although the film was stripped of objectionable segments, including clear references to homosexuality, Blanche's (Vivien Leigh) nymphomania and attraction to young boys, and Stanley's (Marlon Brando) rape of Blanche. The film's censored minutes would be restored over 40 years later in 1993. Another erotically-charged Williams/Kazan work translated to the screen was, advertised with a photograph of the teenaged title character in a crib sucking her thumb (the film's opening scene). The defiant film was viciously condemned by the Catholic Legion of Decency for, among other things, a notorious, highly-sexual seduction scene on a swing, of a 19 year old white-trash, young 'baby doll' nymphet (Carroll Baker) by vengeful Sicilian Eli Wallach, their game of hide-and-seek in the upstairs (and attic), and later their kissing scene under a turned-off bare bulb in an adjoining room while Baby Doll's sexually-frustrated husband Archie (Karl Malden) was speaking on the phone nearby. The homosexuality of Paul Newman's sexually-disoriented character in Tennessee Williams' with best friend Skipper was potently counterpoised with the smoldering, heterosexual portrayal of Maggie the 'Cat' by Elizabeth Taylor. Although Gore Vidal's original screenplay alluded to homosexuality, cannibalism, pedophilia, and incest, all of these sordid elements were toned down in Joseph L. Mankiewicz' version of Tennessee Williams', but the film still retained the ripe sensuality of Elizabeth Taylor as the pretty Catherine who lured Italian beach boys closer for the benefit of her homosexual cousin.

Sexy Topless Teens : Indian Railway Complaints 2017

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Sexy Topless Teens : Indian Railway Complaints 2016

James Jones's shocking adapted novel included an adulterous sexual affair, and a Honolulu social club (brothel). The characters in the mostly-male film included a club 'hostess' (Donna Reed) and an Army Captain's wife (Deborah Kerr) having an illicit relationship with an Army Sergeant (Burt Lancaster) - with their infamous scene of Kerr and Lancaster embracing and kissing on an Oahu beach with the foamy surf flowing over them, and Kerr professing: 'I never knew it could be like this.'

Lana Turner was able to dress scantily as Samarra, the exotic, pagan high priestess of Ancient Damascus in MGM's opulent Biblical epic The Prodigal (1955). Even Vincente Minnelli's and MGM's technicolor musical The Band Wagon (1953) featured an erotic, 12-minute ballet parody of film noir and Mickey Spillane characters, titled Girl Hunt Ballet, with Fred Astaire as hard-boiled private eye Rod Riley and leggy Cyd Charisse as 'Beautiful Diamond' - a sultry gangster's moll. Astaire's pseudo-tough voice-over described the suggestively-red-dressed beauty in dual roles as an innocent blonde and a brunette vamp: 'I could smell trouble a mile off.She came at me in sections. More curves than a scenic railway.She was bad.

She was dangerous. I wouldn't trust her any farther than I could throw her. But, she was my kind of woman.' Sexual Innuendo in Hitchcock's 50s Films: Hitchcock sublimated the inherent sexual tension and eroticism within his 50s films, and interwove psychological obsession and passion into their scripts, for example:.

the eroticized, voyeuristic role of James Stewart's 'phallic' telephoto camera in in contrast to his avoidance of marriage, passivity and sexual frustration toward girlfriend Grace Kelly. the provocatively-teasing question, 'Do you want a leg or a breast?'